Concerts and recitals
Harpsichord and piano recitals, participation in chamber concerts, work with an orchestra, basso continuo, sacred and historical projects, as well as events combining music with a narrative about its period.
Contact
A conversation begins with music
A concert invitation, a recital, a historical project, a recording, educational work or a new artistic collaboration — each of these paths can become the beginning of a meaningful encounter.
Edyta combines her experience as a harpsichordist and pianist with her work as a conductor, arranger and music educator. A conversation about a project can therefore encompass not only the performance itself, but also the choice of repertoire, the ensemble, preparation of the performers, the development of materials and the shape of the entire event.
Possible directions
What might we discuss?
Edyta’s work covers a wide field, so contact is not restricted to one kind of proposal. The areas below are a point of departure, not a limitation.
Artistic collaboration
Preparation of a programme and ensemble, conducting, arrangements and adaptations, repertoire consultations, participation in recordings and projects requiring the combination of performance practice with an understanding of style.
Music education and projects
Workshops, work with choirs and soloists, educational concerts, projects for children and senior citizens, studio projects and activities in which the preparation process is as important as the final performance.
The first message
A few details are enough to start the conversation well
There is no need to prepare a complete project straight away. If some elements remain open, you can say so directly — the programme, ensemble and performance conditions can be developed together.
- 01Place and date
The city, venue or institution, together with the planned or approximate date of the event.
- 02Type of event
A concert, recital, recording, workshop, rehearsals, educational project or another form of collaboration.
- 03Programme and performers
If already known — the repertoire, the composition of the ensemble and the role envisaged for Edyta.
- 04Instrument and conditions
Information about the harpsichord, piano, organ, concert space or organisational possibilities.
- 05Contact person
Name, institution and the most convenient way to continue the conversation.
For organisers and partners
Before making contact, you can discover the different dimensions of Edyta’s work
The website is an extensive artistic archive. It makes it possible to see not only the final result, but also the continuity of the work: from education and historically informed performance, through concerts and recordings, to conducting, music education and contemporary projects.
A new encounter
If an idea requires an individual form, that is all the more reason to write about it
Not every proposal fits into a ready-made category. Interdisciplinary, historical, educational and original projects often begin with a brief conversation and only later find their proper form.
Let us discuss the projectCurrent organisational details and a telephone number, if needed, are provided directly in the course of the conversation.